Description
Teja Miholič does photography, shoots films, makes gifs and curates bizarre online things. Through analogue photography, she creates a diary of her perception of random things and key people. She understands the work process as a compound of the seen and unpredictable, which is why she often uses expired films, broken cameras, or uncontrolled developments and scanning techniques. The results are spontaneous surprises, collaborations between the photographer and her tools, rather than her domination of them.